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Michelangelo
Buonarotti (1475-1564) exerted enormous influence. He, too, was universally
acknowledged as a supreme artist in his own lifetime. Michelangelo resisted
the paintbrush, vowing with his characteristic vehemence that his sole tool was
the chisel. As a well-born Florentine, a member of the minor aristocracy, he
was temperamentally resistant to coercion at any time. Only the power of the
pope, tyranical by position and by nature, forced him to the Sistine and the
reluctant achievement of the world's greatest single fresco.
There has
never been a more literally awesome artist than Michelangelo: awesome in the
scope of his imagination, awesome in his awarenessand of the significance.
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Sybille de Cummes ceiling of the Sistine Chapel in
Vatican City
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Delphes Sylphide ceiling of the Sistine Chapel in
Vatican City
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 The
Holy Family with the infant St. John the Baptist All the same, it is the
Sistine ceiling that displays Michelangelo at the full stretch of his majesty.
Recent cleaning and restoration have exposed this astonishing work in the
original vigour of its color. The sublime forms, surging with desperate energy,
tremendous with vitality, have always been recognized as uniquely grand. Now
these splendid shapes are seen to be intensely alive in their color, indeed
shockingly so for those who liked them in their previous dim
grandeur.
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Compiled by
Steve Dawson for fun!
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